"Convivio Internazionale: Opere e spettacoli sull’ Inferno di Dante Alighieri"

Convivio Internazionale: Opere e spettacoli sull’ Inferno di Dante Alighieri

An international gathering of art and spectacle on “Inferno” by Dante Alighieri

Castello dei Conti Guidi, Poppi, Italy

I exhibited a hand-colored copy of Inferno, original artwork, and PowerPoint presentation of entire volume.

“Creating a New Illuminated Manuscript of Dante’s "Inferno,”" presentation in Perugia, February 8, 2019

“Creating a New Illuminated Manuscript of Dante’s Inferno

Sala Dei Legisti, Palazzo Baldeschi, Perugia, Italy (February 6)

Presentation/panel discussion on the creation of Inferno with Professors. Simone Casini, Mirko Santanicchia, Mirella Vallone, University of Perugia – public event (in Italian).

“Creating a New Illuminated Manuscript of Dante’s "Inferno,”" at Kent State in Florence, Italy, February 4, 2019

“Creating a New Illuminated Manuscript of Dante’s Inferno

Kent State a Firenze, Florence, Italy

Presentation/discussion on the creation of my Illuminated Manuscript – Florence campus event

Long-form, in-depth interview in Italian, with English translation, about my "Inferno" with Professor Simone Casini.

Insula Europea: Un amanuense e miniatore della “Commedia” a New York. Simone Casini intervista George Cochrane

Dante's Inferno, illustrated and handwritten by George Cochrane is a great undertaking. On the one hand, it seems to be consciously linked to the illustrious fourteenth-century tradition of illuminated manuscripts of the Commedia. On the other hand,…

Dante's Inferno, illustrated and handwritten by George Cochrane is a great undertaking. On the one hand, it seems to be consciously linked to the illustrious fourteenth-century tradition of illuminated manuscripts of the Commedia. On the other hand, it inevitably confronts the great history of iconography and figurative representation of the Commedia, which over the centuries has witnessed the work of so many masters. The result is a refined art book, which Thornwillow Press, a fine book publisher, published in a limited edition utilizing different bindings, some with additional hand-coloring by the artist.

FDU Magazine!

Thrilled to share these pages from an article that just came out in the FDU magazine!

Dante the poet, George the artist

Currently, there is a story on my work on the Fairleigh Dickinson Univerity website (where I teach) by Kenna Caprio. 

"Dante has taken over George Cochrane’s life. Two of his three current artistic endeavors — an illuminated manuscript and a graphic novel — evoke the spirit of the famed Medieval Italian poet Dante Alighieri.

Notions of The OdysseyThe Divine Comedy and Ulysses — all literary obsessions of Cochrane’s — have swirled through his head and his art for years now. In reading these classics, he identified with the journey and the baggage they present.

“I want to take everything that my life has been, every experience I’ve had and put it in one place so I can understand it and spin it into art,” says the Florham Campus associate professor of art. “Turn it into an aesthetic experience that is going to offer something to the reader.” - from Dante the poet, George the artist by Kenna Caprio

Read the full article here

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Library week for George

This week I had the good fortune to be a guest of Giovanni Scorcioni at the Facsimile Finder table the ARLIS 2018 conference here in NYC. For three days I was whisked into the wonderful world of Art Booksellers and librarians. Introducing my Inferno to the librarians in attendance, doing on the spot drawings for raffle winners, and even donating a drawing of Dante to the ARLIS silent auction, was a total thrill!

After ARLIS, I took my illuminated manuscript up to the Butler Library at Columbia Univ. and met with an Italianist research librarian. They will be buying a copy and featuring the work on their astonishing Dante website resource. I couldn’t be more grateful and delighted!

Columbia University

Totally bananas

Wahoo! I have very exciting news: my “Inferno” for Thornwillow Press is now halfway though it’s Kickstarter campaign, and it has sold better than Sherlock Holmes, which previously was TWP’s best seller! Thank you to all who have decided to add my book to your shelves. If you haven’t seen the project, take a look! 

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!!!!!

I'm so thrilled that we have almost hit $100K on this campaign! Thank all of you have signed up get a copy of my "Inferno" for Thornwillow. There are only 25 days left to secure one, and some formats have already sold out, so you may want to take a look! Here I'm sharing the last page, when Dante and Virgil exit Hell and enter Purgatory (oops, sorry, spoiler alert!).

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Thornwillow Kickstarter for "Inferno"

I hope you will enjoy the final run-up to the publication of “Inferno” featuring a letterpress edition of my hand-lettered and fully illuminated/illustrated original artwork. For more on the project check out the video below.

Thornwillow is raising funds for INFERNO on Kickstarter! A modern take on Dante's masterpiece: Hand-lettered, beautifully illustrated, printed letterpress, and hand-bound.

“Creating a New Illuminated Manuscript of Dante’s "Inferno" Sarah Lawrence College

“Creating a New Illuminated Manuscript of Dante’s Inferno

Sarah Lawrence College, Titsworth Living Room, December 9, 2017

Presentation/discussion on the creation of my Illuminated Manuscript with an Italian Literature class– classroom event

Dante in New York

Brooklyn, NY, July 26, 2017 – Studio 153 / Coffey Street is pleased to announce an exhibition of new works by George Cochrane entitled Hades High. The exhibition locates Dante Alighieri’s poetical work firmly in today’s world, connecting our present-day reality to the poet’s timeless observations on human behavior. This is the inaugural exhibition at Coffey Street and is on view October 8 through November 5, 2017. An opening reception will be held on Sunday, October 8, 4-8pm.

The exhibition takes its title from the seventh, most recent chapter of Cochrane’s graphic novel currently in progress, Long Time Gone. The autobiographical work, created in collaboration with the artist’s daughter Fiamma, and modeled on Homer’s Odyssey and James Joyce’s Ulysses, tells the story of a single day in Brooklyn. The novel unfolds across twenty-four chapters, mirroring the Odyssey’s twenty-four books, and jumps between George and Fiamma’s day. In Hades High, George encounters Dante as he guides him though a re-visitation of high school, forcing Cochrane to confront a troubled past while revealing his own artistic origin story.
 
In large-scale paintings and drawings, Cochrane depicts Dante as a character in our world today, placing him in and around New York City at art fairs, rallies, and in banal scenarios, such as waiting for a bus or standing by the Gowanus Canal. Cochrane’s expressionistic brushwork and non-local color dematerialize the painted forms of the figure and his environments, intermingling both figure and ground, as well as the historical and the contemporary. The drawings, made since Trump took office, show Dante lurking at an anti-Trump rally, trolling Trump Tower, or observing Trump being devoured by Satan in the ninth circle of Hell. Drawn in silverpoint, ink, and colored pencil, Cochrane’s artist books explore these themes in a more intimate format. 
 
Responding to Cochrane’s Hades High, publisher Luke Ives Pontifell of Thornwillow Press invited Cochrane to make a new illuminated manuscript of the Divine Comedy to celebrate the 750th anniversary of the poet’s birth in 2015. Studio 153 presents original artwork from the first volume, Inferno, with copies of the newly published book. In creating his contemporary illuminated manuscript, the artist uses hand lettered comic font and comic book visual tropes to invigorate the artistic and illustrative history of the Commedia.
 
Studio 153’s exhibition will be the first New York presentation of Long Time Gone, which debuted at MASS MoCA in North Adams, Massachusetts, and was subsequently exhibited at the Tweed Museum in Duluth, Minnesota. Hades High is the inaugural exhibition for Coffey Street, a new space for contemporary art and performance in Red Hook, Brooklyn.
 
In conjunction with George Cochrane: Hades HighStudio 153 will present a series of curated programming on topics ranging from comic books and the history of art and protest, to problems of translation and textural transmission in the manuscript tradition.


For more information please contact:

Michael Sharkey
studio@msharkey.com
917.715.2222

About Studio 153 & Coffey Street:

STUDIO 153 is an artist-led venture, dedicated to the exploration of new work. The creative team specializes in theater, photography, visual art, and film. The curated program will maintain individual disciplines, but engage in a deeper investigation of art making through a collaborative, multi-disciplinary approach.

The studio was co-founded in 2016 by theatrical designer Andromache Chalfant and longtime friend and frequent collaborator, M. Sharkey, a photographer and filmmaker. The studio is located in a 13k square foot warehouse on Coffey Street in Red Hook, Brooklyn.

 

WWW.COFFEYSTREETSTUDIO.COM

 

Artist-in-residence at Thornwillow Press

In January 2015, George became the first “artist-in-residence” at Thornwillow Press in Newburgh, NY. There, he is producing his 24 chapter graphic novel in-progress, Long Time Gone, over the next five years for Open Corner. The first seven chapters, along with fine art prints created at Thornwillow, will be presented at the MoMA/P.S.1 NY Artist Book Fair in September, 2015.
The first piece of Long Time Gone material created at Thornwillow Press, is a set of hand-lettered quotes connected to the graphic novel, housed in a matchbox.

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To celebrate Thornwillow Press’s 30 years of fine book-making, Cochrane is also at work on The Newburgh Commedia, marking the 750th anniversary of Dante Alighieri’s birth. The project consists of the creation of a new manuscript version of Dante’s Divine Comedy, to be published and presented with images connecting his timeless poem to city of Newburgh. Cochrane is modeling the presentation of his comic-lettered text on the earliest known manuscript as well as early printed, illustrated editions of Dante’s masterwork. Cochrane’s images trace a line from early illuminated manuscripts and printed editions of the Commedia, through the history of art, and to the worlds of the comic and cartooning arts.
Additional to the limited edition volumes of the The Newburgh Commedia, Cochrane is producing limited editions of Fine Art prints, and more, which will culminate in an exhibition of the artworks in Newburgh and also a presentation at MoMA/P.S.1 NY Artist Book Fair in September, 2015.
In January, Cochrane created the first series of limited edition prints: "The Newburgh Suite, The Woodcuts: Inferno, Purgatorio & Paradiso.”